Showing posts with label magazines. Show all posts
Showing posts with label magazines. Show all posts

Saturday, February 18, 2012

PRH: Breaking Grounds



The sun shone bright on the afternoon of November 1, All Saints Day and the day of the groundbreaking ceremony for the field house being built on the site of the McNichol Athletic Field on Moore Street between 25th and 26th Streets. Cheerleaders from Saints Neumann-Goretti High School stood in two rows facing each other, black and gold pom-poms in hand, to welcome guests to the field used by the school’s football and baseball teams. Nearly 100 alumni and friends turned out.

Once the crowd had assembled, the football and baseball teams and the cheerleaders gathered behind the podium set up on the southeast corner of the field. After John Murawski, the school’s president, led a prayer service, he spoke about the meaning of the field house that would be built on the site of the old Saint John Neumann school, which is now a senior citizens housing facility.

“God approves of recreation for the relaxation of the mind and the exercise of the body to foster mental, physical and spiritual well-being,” Murawski said.

In the early 1980s, the McNichol family, who used to run a trucking company, donated the land to the Saint John Neumann High School. Since the 2004 merging of Neumann, founded in 1934, and Saint Maria Goretti High School, established in 1955, the high schools have retained use of the field, although the athletes have had no where to change and shower. The Development staff at Neumann-Goretti wrote a grant and, in 2005, received a Department of Community and Economic Development grant in the amount of $250,000.

John Wagner, class of 1974, works in Health Care Services, the division of the Archdiocese that now owns the property where the field house will be built. While the school owns the field, but “so as to not take away from the field space we requested that Health Care Services allow us to build on their property,” Murawski said in a follow-up interview. Joe Sweeney, Secretary for Health Care Services, and Susanne Lurato O'Grady from Health Care Services were also instrumental in the process. “The largest contributor to moving this process along was Hank Clinton, class of 1971,” Murawski said. “Hank worked tirelessly to push all of the architectural through zoning properly, met with architect in the design phase and continues to oversee the legal aspects of building the field house.”

The field house represents the continued fulfillment of the Neumann-Goretti community’s commitment to “an unparalleled education for the youth of Philadelphia,” Murawski said. “This addition along with the recent additions of two new science labs, a media center, the City's first Nintendo Wii Fitness Lab and the City's first iPad Lab are proof that Neumann-Goretti has made this commitment and that we will continue our strides to offer a top notch Catholic Education here in South Philadelphia.”

The building of a field house, equipped with a coach’s office, a concession stand, a film room, 90 lockers, a storage area and a weight room, shows the 710 students currently enrolled in Neumann-Goretti “that the diocese and the school care enough for them to provide them with a state of the art facility that they will be able to be proud of,” Murawski said. “The students are chomping at the bit to say they were the first team to use the facility and they are all excited to be the first team to hang their championship plaque on the wall.”

Construction on the field house should be completed April 1, 2012 – just in time for baseball season, Murawski said.

This 600-word story appeared on page 92 in the Schoolyard section of Philadelphia RowHome Magazine's February/March/April 2012 issue.

Tuesday, September 6, 2011

Sunny Eyes Up

Old men love waking up with NBC 10’s Lori Wilson and if you could muster up enough energy at 5 a.m. to turn on your TV and keep your eyes open, so would you. By Rosella Eleanor LaFevre. 




Lori Wilson has only been awake for eight hours and she’s yawning. But then Wilson got up around 2 a.m. “My first alarm goes off at two, and then I have one at two-ten. The very last possible alarm goes off at two-fifteen,” laughs Wilson, co-anchor of the 5 a.m. morning show on one of Philadelphia’s most-watched news stations. 

Doe-eyed Wilson sits on a large comfortable couch in an edit booth in NBC 10’s Bala Cynwood headquarters at 10 a.m., willing to tell us all about her job in the fourth largest broadcasting market. Most days, her work is done by now and she’s headed home where, on days like today, she takes a nap. 

So sometimes it’s hard to deal with getting up that early, but at least the drive is only seven minutes long. “The goal is always to be very close to the station, because it’s the middle of the night,” exclaims Wilson, who did morning shows at the last two stations she worked at. 

Around three a.m., Wilson arrives at the station to prepare for the show. First she reads through the two hours of copy, which she splits down the middle with co-anchor Terry Ruggles, in a half-hour or 45 minutes. In addition to checking the copy for accuracy and up-to-date information, Wilson pays close attention to the wording. “There are times when I have to make changes just because of the way that I speak – sometimes something is written formally and I’m a little more conversational in my delivery,” Wilson says.

After reading through the copy, Wilson reads a few newspapers – usually done online. “You never know when breaking news is going to happen and you’re going to have to give background about it, be able to vamp about it,” says the anchor. 

By 4 a.m., the beautiful, petite TV personality must be in the makeup room where, in about 20 minutes, she does her own face. This isn’t something that came easily to Wilson, who had never before worked at a station with its own professional makeup artist on staff. NBC 10’s Carie Brescia taught her everything she knows. “I just sucked the life out of her,” Wilson says with a laugh. “I was like, ‘What am I supposed to do?’ She gave me lessons and hopefully it works!” 

It sure does, most viewers would agree, getting a load of her mile-long eyelashes and blindingly white, perfect smile. The whole package is even more stunning in person. It’s no wonder that she got her start in commercials when she was in third grade. 

A Columbas, Indiana native, Wilson starred in a commercial for Indiana Bell’s call waiting service, which was the latest innovation. “I’m generally a shy person by nature so the camera was easier,” Wilson says. “I could hide behind the camera; it was just me and the camera one-on-one, even if millions of people are watching so I fell in love with that aspect of it.” 

The moment she realized how important television could be, she was watching Ronald Reagan make a State of the Union address. The whole entire country is probably watching the same thing I’m watching right now, she thought. It was powerful, she says, realizing that “we could all be connected at one time and getting information.” TV, that’s the way to go, she thought. 

Television is what gives her the opportunity, after all, to do what she loves, and that’s telling stories, inspiring people to act, and giving them the information they need in their daily lives, like “traffic, weather, what’s safe, what’s not, medical news,” she says. 

The “idea that we’re all kind of in it together” is one that continues to move Wilson. “We all come in different packages but we’re exactly the same underneath so I think stories that connect us all really draw me in,” Wilson says. “If I can tell a story about an 89-year-old grandmother that you relate to, then I feel like that’s having purpose in your life.” 


Since earning a B.A. in Journalism from Indiana University in Bloomington, Indiana, Wilson has worked at four stations. Her first two stations were in smaller markets: Champaign, Illinois and Shreveport, Louisiana. Her third station, and last stop before Philadelphia, was WGCL in Atlanta, Georgia. 

At WGCL she worked as a morning anchor, weekend anchor, entertainment reporter and general assignment reporter until her boss decided not to renew her contract, which is “essentially being fired from your job.” To hear her tell it, she was the “victim of circumstance,” having had four bosses in three years, with the last deciding she was just “a little too sassy,” Wilson says. “And that’s fine. We just butted heads, so I left that job and then had the opportunity to look for another job.” 

Wilson, who believes “everything was divinely ordered and led,” got a few offers closer to home but in the interest of moving toward a network job in, say, New York City or Washington, DC, came to NBC 10 in Philadelphia. It’s a “great city that’s close to everything and has so much to offer,” she says, voicing the love she has for where she’s at. 

She says one of the deciding factors was The 10! Show, the station’s morning talk show, which she hosted when she arrived here. Also, she loves her current boss, someone who “looks you in the eye, who tells you what’s happening,” she says. “It’s nice.” 

That’s not all there is to love about her job, and despite the fact that she’s yawning today, that includes waking people up, she says. “I think there’s a way to do it. There’s a temperament, there’s an energy, there’s a seriousness and then there’s a little bit of light.” 

One of Wilson’s favorite parts of the job is the off-air stuff she gets asked to do. When you’re on television, “There’s a lot of stuff that you’re gonna be asked to be a part of in the community,” Wilson says. “Going and mentoring young girls, emceeing events that raise money for fundraisers. Those are the things that matter to me and the only reason that I do it is because I have a platform. The only reason they care about having me come out is because I’m on TV. That’s an honor.” 

As with any career, of course, it can be very challenging at times. “When you stop connecting to stories or stop being affected by things, then you probably need to do something else with your life,” Wilson says. “Like whenever harm comes to a child, it’s hard to deal with. Stories like that, when people come up missing or dead, it’s hard because I always try to put myself in the place of the families.” 

Sometimes the challenging part of the job is keeping your lips zipped on controversial topics. “It’s hard being objective in such a heated political climate,” Wilson says. And then there are times when it’s not what you say but how you say it that can cause trouble. “It’s all in your inflection when you’re a TV journalist,” Wilson says. 

One of the things industry watchers have often lamented is the shift away from hard-hitting news and toward entertainment. While it can be hard for some to accept that celebrities are making news daily or that citizen journalists are making waves with YouTube videos, Wilson looks at it this way: “Those things, based on my definition of news, which is what people are talking about, those are things you have to include in the conversation.” 

So will she be staying in Philadelphia, where her co-anchor Tim Ruggles has been for 30 years? “I’d like to be on a national platform, but I am completely satisfied and happy if Philly is my last stop,” she says.

Suggested Viewing (Fall 2011)


John Singleton, the guy who directed Four Brothers, which is still quite possibly one of our favorite Mark Wahlberg movies, created his newest film, Abduction, with the hopes of recreating Taylor Lautner into someone our brothers and boyfriends might like too. The action-packed thriller, which also stars Lily Collins, Jason Isaacs, Alfred Molina, Sigourney Weaver and Maria Bello, is about Nathan’s (Lautner) quest for truth after he sees his baby picture on a missing person’s website. Whether or not the boys in your life enjoy it, I’m sure you’ll find Lautner’s exceptional physicality entertaining. (Sept. 23) 

“So, you really think that the girls gonna go for me just ‘cause I have cancer?” asks Adam, played by Joseph Gordon-Levitt, in 50/50.  “For the millionth time, YES!” replies Seth Rogen’s Kyle in the comedy written by the actor’s real-life best friend Will Reiser. When Reiser was 25, he was diagnosed with spinal cancer, and although Rogen attempted writing a script about his friend’s battle with cancer, we’re sure it’s benefited from Reiser’s first-person knowledge of it. I’m excited to see this film, aren’t you? (Sept. 30) 

Opposites attract and long distance is hard. These are the ideas behind Drake Doremus’ Like Crazy. So why do we care? How about the fact that it stars Anton Yelchin, the dramatic wunderkind of Alpha Dog and Star Trek fame, and London stage actress Felicia Day, and their on-screen chemistry has critics blown away? That’s enough to make us want to preorder tickets. (Oct. 28) 

Funny. Hilarious. Hysterical. Wait – where is my thesaurus? I can totally imagine needing more synonyms for the word funny to describe Tower Heist to those who haven’t yet seen it. True, I haven’t yet, but the Brett Ratner-directed film is sure to be highly entertaining with a double-whammy of comedians Ben Stiller and Edie Murphy. About a group of employees who want to rip-off and impossible-to-rip-off Bernie Madoff-type character, the film also stars Matthew Broderick, Casey Affleck, Tea Leoni and Gabourey Sidibe. (Nov. 4) 

Adam Sandler plays himself and a woman in Dennis Dugan’s Jack and Jill. Excited yet? No? If not, I can’t imagine any other way to make you want to see this movie. Unless you’re a fan of Katie Holmes, who plays Jack’s wife, or Al Pacino. The film is about when Jack’s sister Jill comes to visit for Thanksgiving and doesn’t go home. Sounds good, doesn’t it? (Nov. 11) 

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This piece appeared in the second issue of M.L.T.S. Magazine, a publication I started. This appeared in the Most Entertaining section.

Smak Talk

Abby Kessler and Katie Loftus, best friends and boutique owners, talk business and reworked vintage pieces.



There’s a place where the walls are hot pink, the tables are covered with lacy panties and handbags, and the gilt mirrors show your greatest desires. The walk-in closet of your dreams, this place is Smak Parlour, a boutique located at Second and Market Streets in Philadelphia.

Abby Kessler and Katie Loftus, who have been best friends since they were 15, are the owners of Smak Parlour. Since bonding over the application of black eyeliner, the two have developed a shared aesthetic.

This aesthetic translates into the “fun rock ‘n roll, retro, girly, glam, 80s, pin-up, vintage-inspired styles” they design and stock in the store.

When designing, Kessler and Loftus draw inspiration from each other. “We love looking back at different eras of fashion and getting inspired! We love bouncing ideas off each other,” they say.

Their favorite pieces on sale now are the Smak Parlour embellished vintage tees (pictured in our “That’s So Raven” fashion editorial). These pieces “have our hearts at the moment,” Kessler and Loftus say. “They are all different and, well, just plan cool. Many are wide and boxy and look awesome with Many Belles Down fitted knit skirts.”

These are the very styles the Drexel-educated ladies created when they started their wholesale clothing line SMAK by Abby & Katie in the early 2000s.

Educated in design and merchandising at Drexel University and after a year in New York City working in the fashion industry, Philadelphia-area natives Kessler and Loftus decided to open their own boutique in which to sell SMAK by Abby & Katie.

They derived the name Smak Parlour from the name of their line, which they loved because it has many connotations and is “playful and fun,” and the sewing parlor where they created their pieces. “We were making ‘Smak’ in the ‘Parlour’ and so it became!” they recall.

Without any assets, the ladies financed their business with credit cards. This move, they say, “absolutely” scared them but “it was our only choice if we wanted our dream to come true.” And they handled it beautifully, paying off their debts in three years with manageable monthly payments.

For the first four years, they exclusively sold pieces from their own line. They have since expanded and added indie designers to the mix. Kessler and Loftus explain, “We buy what we want to wear when looking for new designers and hope other people will want it too!” 

Apparently they do, as it has been six years since these best friends opened Smak Parlour. “It’s absolutely a dream come true to work together,” Kessler and Loftus agree. 

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This piece appeared in the second issue of M.L.T.S. Magazine, a publication I started. The issue launched on September 5 and this piece appeared in the Most Stylish section.

Suggested Reading: Jennifer Rainville's Trance of Insignificance



Every now and then, a woman needs a good friend to smack her upside her head. Certainly, through much of Jennifer Rainville’s self-published novel Trance of Insignificance, readers will feel the urge to slap former TV reporter Jules Duvil around. She’s got everything she could want – a hot career in PR, a good husband – and yet she keeps getting tangled up in her ex-fiancĂ©, the handsome TV news anchor Jack Culligan. In fact, it isn’t really clear why she keeps coming back to him. He calls her “beautiful” and it makes the reader’s skin crawl; how could she be charmed by that most unimaginative of pet names? And how, Lord, how could she sleep with a married man? All the while, her girlfriends casually ask Jules questions about her extramarital affair. If ever a protagonist needed a good friend, it is Jules Duvil. 

Later in the novel, Jules’ mother-in-law Tess tells her that she has something Noah, Jules’ husband, will never have: a sense of self. What does Tess think gives Jules this sense of self? Her tough childhood in Boston, Massachusetts. One can see how trying to get away from your past might lead you to getting wrapped right up in it again, as Jules does repeatedly with fellow Massachusetts native Jack. 

Perhaps because of her questionable judgement, Jules comes off as incredibly real and her story is believeable. It is engaging and thought-provoking. How can we be so stupid when it comes to matters of love and lust? Why do we let our pasts best us, again and again? Can we break our bad habits and find happiness? 

The novel would benefit from a good proofread and occasionally the broadcast journalism technical jargon is distracting, but Rainville’s debut novel provides a captivating tale of a love that her protagonist just can’t seem to let go. 

Monday, June 6, 2011

WISE BUSINESS PRACTICES: Tips and Tricks from Pop Culture


This is a set of quotes and practices I culled from pop culture to improve M.L.T.S. Magazine readers' performance on the job or at their internship.

The New Rules

Rosella Eleanor LaFevre tells you how to dress if you want to impress on the job or at your internship.




Over the course of our young lives, fashion has changed quite a bit. Designer wares are now available at affordable prices and street style bloggers have placed an emphasis on the everyday style of regular women. It’s also made dressing for the work place a little freer -- if not also a little more confusing. 

So how do you dress for success these days? The short answer is by mixing classic business wear with pieces that have more personality.

Most of us will be entering companies that are more creative in nature, meaning our dress can also be more creative. Try jodphor pants or other unexpected cuts. One of my coworkers recently wore green khaki pants with black stripes down the sides. She said they were old pants from the Gap, but, boy, did she look cool, especially when pairing those pants with a black cardigan. 

Another great way to inspire confidence in your abilities, try mixing in suitwear pieces with your more unusual or basic sportswear pieces. While you’re in college especially, it’s more age-appropriate to mix up suitwear like jackets, skirts and pants than to wear an entire suit. Pair the jacket with a dress and tights, wear the skirt or pants with a tank top and cardigan. Wear a dress tucked into the skirt, like our cover girl does on page 31 (although perhaps you should save the strapless numbers for after work). 

Remember, too, that dresses are your best friend. They are simple and quick to throw on and 
usually look great. Just keep the hemline near your knees, the cleavage to a covered-up minimum, and you’re golden. We like dresses with simple, classic lines, like a shift dress or the pink dress at left. 

You can still also get away with wearing leggings under your skirts and dresses, which you should definitely do if they’re closer to mid-thigh than your knees.

Play with proportions and wear a full skirt with a well-fitted t-shirt. Wear a dolman sleeve top with a pair of skinny leg pants.

Remember to keep even your casual looks somewhat dressy, as I did with the outfit Julie wears on page 43. Here, I paired a chambray button-down shirt with black dress pants and a pair of strappy heels, which easily dress up the denim shirt. Play with accessories, too, as I did by wrapping a floral print H&M scarf with touches of blue around our model’s waist.

Wear ballet flats on days when you’ll have to run around a lot, and heels when you can, if you are a fan of elevating footwear.

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I wrote this piece for M.L.T.S. Magazine, the publication I started last March. This appeared in the Most Stylish section of the first issue.

Sunday, June 5, 2011

The Balad of Jessi and Nema

I wrote a profile of one of my favorite couples, singer Jessi Teich and photographer Nema Etebar, for JUMP, a new Philly-based music magazine.


Singer Jessi Teich and her love, photographer Nema Etebar.
(Photo courtesy of Nema Etebar)

Will power and love saved singer Jessi Teich’s voice, she says.

The singer was in jeopardy of losing her instrument last year when a cyst developed on her vocal cords. Teich’s fiancĂ©, Nema Etebar, introduced her to a friend, a world-class surgeon, who suggested surgery to remove the cyst.

People told her not to risk it. They told her she’d never sing again. Ultimately, she decided to go through with the procedure.

“I could never have the career that I wanted if I didn’t get the surgery,” Teich says.

Fortunately, the surgery was a success. And seven months after the operation, Teich released her debut album, Barely There, on Fuzztone Records.

By introducing her to his surgeon friend, supporting her decision and then assisting her through her recovery, Etebar, 32, helped Teich, 26, through the difficult period.

While Teich believes will power played a large part, she says, “In a way, Nema helped save my voice.”
Teich’s relationship with Etebar, a street photographer whom she calls her business partner and soul-mate, continually provides her with strength. The two have created a world in which they can live their dreams together. Etebar frequently shoots Teich, a brown-haired, brown-eyed beauty whose usually makeup-free face seems to transform in every picture, and she uses these images to promote her music.

They met in August 2008, three weeks before Etebar, who is half-Persian and has long, dark, wild hair that he tends to keep in a topknot, left for a month-long trip to India. They only had a small window of time together.

“We were just scrambling to get to know each other,” Teich says. “It takes time to get to know somebody, whether you’re going to be friends or lovers.”

They decided quickly.

“He is it for me and I didn’t settle,” Teich says. “Now we’re creating these tiers of art and beauty and people. I get so excited about it.”

Teich rarely performed in front of others at that point.

“I was too scared,” she says with a laugh. “I just didn’t think my music was good enough.”

One of the first times Etebar heard Teich’s silky, soulful singing voice was when she strummed a guitar and sang a cover of Feist’s “Let It Die” in his bedroom. A month later, Teich sang some of her original songs for Etebar.

“I’ll never forget those,” he says. “Because I was blown away.”

Etebar, who had been single for six years before meeting Teich, took his first photos of his muse on New Year’s Day 2009 after the Mummer’s Parade. She stood before a brown brick wall, wearing the same green hat that graces the cover of her CD, carrying a yellow Mummers umbrella.

“I was so nervous because I’d seen him take pictures of people for three or four months,” Teich says. “That birthed what we do today. That was the beginning of what he have grown into, what we have created. We planted a seed and we’ve grown an oak tree. It is a joint effort. Although he’s the photographer and I’m the model, the photos wouldn’t be the same without each other.”

Today, Teich accompanies Etebar on his street shoots. This female presence puts Etebar’s subjects – many of whom are mothers with children or homeless people – at ease.

In June 2009, Etebar introduced Teich to another friend, producer Daniel Marino. They started talking about recording an EP. Teich had planned to leave for South America with her sister that September and planned to be gone for three months. Before her departure, she and Marino get down as much of the basic recordings as possible. By the end of August, they recorded nine songs, mostly ballads.

In addition to creating images together, Teich and Etebar write songs together. They wrote  “Tuesday” and “Beggin’ You,” both of which are on Barely There.

During the spring of 2010, Teich quit talking, let along singing. The cyst was embedded in the vocal fold and by keeping silent, Teich hoped the cyst would be more defined on the day of the operation.
Teich broke her silence before going into surgery to tell Etebar that she loved him.

Etebar did not want to photograph Teich that day but she insisted. The black and white image he created shows a wavy-haired Teich dressed in a hospital gown with her head resting in her right hand and her left arm outstretched, an IV needle taped into the crook of her elbow.

“I am glad now that I have it,” Teich says of the photo. “It reminds me to keep working hard and that, no matter what the situation, if I believe hard enough and make myself strong enough, I can conquer just about anything.”

She didn’t speak for a week after the surgery. Teich broke her silence and called Etebar to say hello.
“No, you can’t do that yet!” Teich says he cried out.

It took nearly six weeks for Teich to fully regain her voice and for much of that time, she did not speak. The couple developed a system to communicate.

“We would call each other on the phone and he would talk to me and ask me yes or no questions,” Teich says. “I would hit a key once for yes, twice for no, and three times for ‘I love you.’”

Teich saw a speech therapist first and two weeks later, she started seeing a vocal therapist.

“I immediately could hear a difference in my voice and the way that it felt to sing,” Teich remembers. “It took me honestly about eight weeks before I sang a full song but it was absolutely worth the wait.”

All this time, Barely There was put on hold. Finally, Teich completed the record and released it on December 18, 2010.

“Right now, Philly’s really receptive to me,” Teich says. “I’ve been able to bring people out without really asking. I really feel like, from the bottom of my heart, outside of my ego, that my music will do well [elsewhere].”

Wednesday, July 28, 2010

Relationship Blogging for HOSTAGE Magazine

My posts have been infrequent here as one-off articles haven't really been coming my way. But I've been busy most of the summer blogging for HOSTAGE magazine. Weekly, I do a Words of Wisdom Wednesday feature (an idea I only later realized I borrowed from the lovely and talented Melissa Blake) and beyond that,  I've written on topics like getting back together with an ex, learning to tell the good guys from the bad guys, and something I called "romantic realism." Check out my posts here:

http://blog.hostagenyc.com/author/rosella/

Friday, May 14, 2010

PRH Schoolyard: Mighty Writers

"Do you need to run around the block five times to get that energy out?" Rachel Loeper asks a young boy standing on the front step.

Loeper is the program director of Mighty Writers, a non-profit that aims to improve the writing skills of students ages 5 to 17. The young boy to whom she speaks is one of 50 students enrolled. Like most of his peers and Loeper herself, the young writer is a bundle of energy.

According to Loeper, she started holding meet and greets with people interested in starting a project like Dave Egger's 826 Valencia, a writing center that helps students ages 8-18 develop writing skills. In the meantime, Loeper quit her job in educational technology and took a position substitute teaching at Universal Institute Charter School in South Philadelphia.

That's when someone handed her Tim Whitaker's business card. Whitaker, a former editor of Philadelphia Weekly, was looking to start a similar project. The two met "and talked for about two weeks straight and eventually just kind of merged our forces," Loeper says, sitting at a table in the reception area at the Mighty Writers headquarters.

At the time, Loeper had between 50 and 100 volunteers signed on when Universal Institute, through its parent organization Universal Companies, offered Loeper the 1501 Christian Street storefront that was once the location for an "Obama for President" effort.

"Tim had funding for a year and a board of directors and a logo that I loved and we just took off running. So after meeting in April, we opened July 1st. We had 12 workshops last summer and then the after-school workshop started in the fall," Loeper says.

Mighty Writers is open Monday through Thursday from 3 to 6 pm for the after-school program, during which kids do homework before opening their red folders and working on their writing. On Sundays from 3 to 6 pm, Mighty Writers is open for tutoring and the community is welcome to walk in.

There are also workshops, hosted after 6 pm on weekdays and between 1 and 4 pm on Sundays. These workshops include "Graphic Memoirs," "Writing Like a Ninja" and "Girl Power Poetry."

Now, Loeper says the hope is to expand with a second location in West Philly. The group is always looking for people who want to join the list of 300 volunteers or who want to teach workshops to some talented students and community members.


This article appeared in Philadelphia RowHome Magazine's April/May/June 2010 issue (Vol. 8, Issue 18) in the PRH Schoolyard section.

Friday, May 7, 2010

Career Exploration: Fashion Editor & Stylist

"I'm always on the job," Abigail Bruley says, laughing. She spreads back issues of the Philadelphia-based quarterly two.one.five magazine and printouts from a large, bright green binder that reads "fashion" on the spine in hand-drawn bubble letters across a large white table in the magazine's one-room office. She climbs onto the table, in high heels and a skirt, and lies down, her left hand resting on two.one.five's first issue, to have her picture taken.

Establishing this aesthetic for an impromptu Motivos photo shoot is, as Bruley points out, a continuation or the same duties she performs as fashion and music editor at two.one.five. These duties include everything from styling fashion shoots to writing gear reviews, from overseeing interns to brainstorming themes and ideas with editor-in-chief Piers Merchant.

Bruley, 27, says she's working her dream job.

The story of how she got her dream job is not very interesting, she says. She was attending a weekly meeting for another magazine at a South Philly coffee shop and ran into Matthew Bacine, one of the publishers of two.one.five, an acquaintance. In conversation, Bruley revealed that she worked in magazines and Bacine asked if she would join his team. She did.

This article appeared in the Spring 2010 issue of Motivos magazine, in the Career Exploration section. Email me at rosellaeleanor@gmail.com to see a PDF file of the entire article.

Wednesday, April 28, 2010

Is chivalry dead?

The female perspective of a male-female debate over the health of chivalry.

I groaned under the weight of a 24-case of water bottles. There was a click sound and the flame of his Bic lighter flashed across his face. Our eyes locked as he shoved the lighter into his pocket and shuffled past. I moved the case to my left hip and got the door myself.

When a friend said she would have been surprised if he had gotten the door for me, I realized she was right. These days, there aren't any gentlemen opening doors for us ladies or pushing the buttons on the elevator when our hands are full. Instead, there are dudes who wait for you to open the door and dudes who push the door-close button just as you finally reach the elevator, out of breath.

It made me wonder: Whatever happened to good old chivalry?

"Guys on [Temple's] campus rarely hold the door for you when you're leaving the Student Center," Madison Carter, 20, said. "But my all-time favorite pet peeve is when you drop your books or need some kind of assistance and guys look at you for a split second and then proceed with whatever trivial task they were doing."

Chivalry, once the mark of a well-raised catch, is rarely done for chivalry's sake. Whereas, in the past, it was common for a man to lay down his coat over a puddle to protect a woman's skirts from mud, guys today seem to only think twice about their manners when it could help them get laid.

Consider the catcall epidemic. When someone in my dorm burned popcorn at 3 a.m. and my friend and I went outside to wait out the fire alarms, every man who passed us asked how we were. I've had 20 minutes of sleep and I'm wearing flip-flops and socks -- am I supposed to swoon at you because you were polite enough to ask how I am?

These shows of "politeness" -- and crudeness, in the case of whistling -- make guys seem like male peacocks spreading their tale feathers.

Sure, there is the occasional polite young man who knows how to treat us ladies and doesn't want anything in return. But, for the most part, chivalry is going the way of the Bali Tiger.

I guess the question is really whether or not the fact that a guy boards the bus before you is enough to make or break the attraction. The answer to this depends on the person, as my friend Michele Hannon, 20, and I concluded one night.

If you and a guy share the same passion about something or if he brightens every day you're with him, it just might be worth giving up those traditional shows of chivalry.

I wrote this 500-word piece for Fourteenth Street magazine's May 2010 issue.

Saturday, October 17, 2009

Career: Industrial Designer


Imagine the rush you would feel, opening a magazine to find a picture of Jessica Alba using the camera you designed. Or picture a young boy, seated on the floor, playing with a toy robot you designed, a look of complete joy on his face. Such are the thrills and rewards of a career as an industrial designer. For LaVonne Strand, Chief Operating Officer of STRANDesign, both of these situations are a part of daily life.

Industrial design is the process of learning what the client wants, what unique specifications must be followed and figuring out how to take a product from concept to a physical reality. Strand has been working in the field of industrial design since he earned his Bachelor of Science in Industrial Design from University of the Arts in Philadelphia in 1989.

Strand sums up his ideas on good industrial design anecdotally: at a meeting an unnamed client described exactly what the company envisioned and Strand was able to do a quick sketch within minutes. The client liked this idea so much that Strand was whisked off to China for three days to oversee the execution of the product...

This is the first part of a 900-word piece I wrote for the Spring 2009 issue of Motivos magazine, a Philadelphia-based bilingual magazine. To read the full article, click here.

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I compiled this sidebar for the Winter 2008-2009 issue of
Motivos magazine. Click on the image above to see a larger version.