Tuesday, September 6, 2011

Sunny Eyes Up

Old men love waking up with NBC 10’s Lori Wilson and if you could muster up enough energy at 5 a.m. to turn on your TV and keep your eyes open, so would you. By Rosella Eleanor LaFevre. 




Lori Wilson has only been awake for eight hours and she’s yawning. But then Wilson got up around 2 a.m. “My first alarm goes off at two, and then I have one at two-ten. The very last possible alarm goes off at two-fifteen,” laughs Wilson, co-anchor of the 5 a.m. morning show on one of Philadelphia’s most-watched news stations. 

Doe-eyed Wilson sits on a large comfortable couch in an edit booth in NBC 10’s Bala Cynwood headquarters at 10 a.m., willing to tell us all about her job in the fourth largest broadcasting market. Most days, her work is done by now and she’s headed home where, on days like today, she takes a nap. 

So sometimes it’s hard to deal with getting up that early, but at least the drive is only seven minutes long. “The goal is always to be very close to the station, because it’s the middle of the night,” exclaims Wilson, who did morning shows at the last two stations she worked at. 

Around three a.m., Wilson arrives at the station to prepare for the show. First she reads through the two hours of copy, which she splits down the middle with co-anchor Terry Ruggles, in a half-hour or 45 minutes. In addition to checking the copy for accuracy and up-to-date information, Wilson pays close attention to the wording. “There are times when I have to make changes just because of the way that I speak – sometimes something is written formally and I’m a little more conversational in my delivery,” Wilson says.

After reading through the copy, Wilson reads a few newspapers – usually done online. “You never know when breaking news is going to happen and you’re going to have to give background about it, be able to vamp about it,” says the anchor. 

By 4 a.m., the beautiful, petite TV personality must be in the makeup room where, in about 20 minutes, she does her own face. This isn’t something that came easily to Wilson, who had never before worked at a station with its own professional makeup artist on staff. NBC 10’s Carie Brescia taught her everything she knows. “I just sucked the life out of her,” Wilson says with a laugh. “I was like, ‘What am I supposed to do?’ She gave me lessons and hopefully it works!” 

It sure does, most viewers would agree, getting a load of her mile-long eyelashes and blindingly white, perfect smile. The whole package is even more stunning in person. It’s no wonder that she got her start in commercials when she was in third grade. 

A Columbas, Indiana native, Wilson starred in a commercial for Indiana Bell’s call waiting service, which was the latest innovation. “I’m generally a shy person by nature so the camera was easier,” Wilson says. “I could hide behind the camera; it was just me and the camera one-on-one, even if millions of people are watching so I fell in love with that aspect of it.” 

The moment she realized how important television could be, she was watching Ronald Reagan make a State of the Union address. The whole entire country is probably watching the same thing I’m watching right now, she thought. It was powerful, she says, realizing that “we could all be connected at one time and getting information.” TV, that’s the way to go, she thought. 

Television is what gives her the opportunity, after all, to do what she loves, and that’s telling stories, inspiring people to act, and giving them the information they need in their daily lives, like “traffic, weather, what’s safe, what’s not, medical news,” she says. 

The “idea that we’re all kind of in it together” is one that continues to move Wilson. “We all come in different packages but we’re exactly the same underneath so I think stories that connect us all really draw me in,” Wilson says. “If I can tell a story about an 89-year-old grandmother that you relate to, then I feel like that’s having purpose in your life.” 


Since earning a B.A. in Journalism from Indiana University in Bloomington, Indiana, Wilson has worked at four stations. Her first two stations were in smaller markets: Champaign, Illinois and Shreveport, Louisiana. Her third station, and last stop before Philadelphia, was WGCL in Atlanta, Georgia. 

At WGCL she worked as a morning anchor, weekend anchor, entertainment reporter and general assignment reporter until her boss decided not to renew her contract, which is “essentially being fired from your job.” To hear her tell it, she was the “victim of circumstance,” having had four bosses in three years, with the last deciding she was just “a little too sassy,” Wilson says. “And that’s fine. We just butted heads, so I left that job and then had the opportunity to look for another job.” 

Wilson, who believes “everything was divinely ordered and led,” got a few offers closer to home but in the interest of moving toward a network job in, say, New York City or Washington, DC, came to NBC 10 in Philadelphia. It’s a “great city that’s close to everything and has so much to offer,” she says, voicing the love she has for where she’s at. 

She says one of the deciding factors was The 10! Show, the station’s morning talk show, which she hosted when she arrived here. Also, she loves her current boss, someone who “looks you in the eye, who tells you what’s happening,” she says. “It’s nice.” 

That’s not all there is to love about her job, and despite the fact that she’s yawning today, that includes waking people up, she says. “I think there’s a way to do it. There’s a temperament, there’s an energy, there’s a seriousness and then there’s a little bit of light.” 

One of Wilson’s favorite parts of the job is the off-air stuff she gets asked to do. When you’re on television, “There’s a lot of stuff that you’re gonna be asked to be a part of in the community,” Wilson says. “Going and mentoring young girls, emceeing events that raise money for fundraisers. Those are the things that matter to me and the only reason that I do it is because I have a platform. The only reason they care about having me come out is because I’m on TV. That’s an honor.” 

As with any career, of course, it can be very challenging at times. “When you stop connecting to stories or stop being affected by things, then you probably need to do something else with your life,” Wilson says. “Like whenever harm comes to a child, it’s hard to deal with. Stories like that, when people come up missing or dead, it’s hard because I always try to put myself in the place of the families.” 

Sometimes the challenging part of the job is keeping your lips zipped on controversial topics. “It’s hard being objective in such a heated political climate,” Wilson says. And then there are times when it’s not what you say but how you say it that can cause trouble. “It’s all in your inflection when you’re a TV journalist,” Wilson says. 

One of the things industry watchers have often lamented is the shift away from hard-hitting news and toward entertainment. While it can be hard for some to accept that celebrities are making news daily or that citizen journalists are making waves with YouTube videos, Wilson looks at it this way: “Those things, based on my definition of news, which is what people are talking about, those are things you have to include in the conversation.” 

So will she be staying in Philadelphia, where her co-anchor Tim Ruggles has been for 30 years? “I’d like to be on a national platform, but I am completely satisfied and happy if Philly is my last stop,” she says.

Suggested Viewing (Fall 2011)


John Singleton, the guy who directed Four Brothers, which is still quite possibly one of our favorite Mark Wahlberg movies, created his newest film, Abduction, with the hopes of recreating Taylor Lautner into someone our brothers and boyfriends might like too. The action-packed thriller, which also stars Lily Collins, Jason Isaacs, Alfred Molina, Sigourney Weaver and Maria Bello, is about Nathan’s (Lautner) quest for truth after he sees his baby picture on a missing person’s website. Whether or not the boys in your life enjoy it, I’m sure you’ll find Lautner’s exceptional physicality entertaining. (Sept. 23) 

“So, you really think that the girls gonna go for me just ‘cause I have cancer?” asks Adam, played by Joseph Gordon-Levitt, in 50/50.  “For the millionth time, YES!” replies Seth Rogen’s Kyle in the comedy written by the actor’s real-life best friend Will Reiser. When Reiser was 25, he was diagnosed with spinal cancer, and although Rogen attempted writing a script about his friend’s battle with cancer, we’re sure it’s benefited from Reiser’s first-person knowledge of it. I’m excited to see this film, aren’t you? (Sept. 30) 

Opposites attract and long distance is hard. These are the ideas behind Drake Doremus’ Like Crazy. So why do we care? How about the fact that it stars Anton Yelchin, the dramatic wunderkind of Alpha Dog and Star Trek fame, and London stage actress Felicia Day, and their on-screen chemistry has critics blown away? That’s enough to make us want to preorder tickets. (Oct. 28) 

Funny. Hilarious. Hysterical. Wait – where is my thesaurus? I can totally imagine needing more synonyms for the word funny to describe Tower Heist to those who haven’t yet seen it. True, I haven’t yet, but the Brett Ratner-directed film is sure to be highly entertaining with a double-whammy of comedians Ben Stiller and Edie Murphy. About a group of employees who want to rip-off and impossible-to-rip-off Bernie Madoff-type character, the film also stars Matthew Broderick, Casey Affleck, Tea Leoni and Gabourey Sidibe. (Nov. 4) 

Adam Sandler plays himself and a woman in Dennis Dugan’s Jack and Jill. Excited yet? No? If not, I can’t imagine any other way to make you want to see this movie. Unless you’re a fan of Katie Holmes, who plays Jack’s wife, or Al Pacino. The film is about when Jack’s sister Jill comes to visit for Thanksgiving and doesn’t go home. Sounds good, doesn’t it? (Nov. 11) 

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This piece appeared in the second issue of M.L.T.S. Magazine, a publication I started. This appeared in the Most Entertaining section.

Smak Talk

Abby Kessler and Katie Loftus, best friends and boutique owners, talk business and reworked vintage pieces.



There’s a place where the walls are hot pink, the tables are covered with lacy panties and handbags, and the gilt mirrors show your greatest desires. The walk-in closet of your dreams, this place is Smak Parlour, a boutique located at Second and Market Streets in Philadelphia.

Abby Kessler and Katie Loftus, who have been best friends since they were 15, are the owners of Smak Parlour. Since bonding over the application of black eyeliner, the two have developed a shared aesthetic.

This aesthetic translates into the “fun rock ‘n roll, retro, girly, glam, 80s, pin-up, vintage-inspired styles” they design and stock in the store.

When designing, Kessler and Loftus draw inspiration from each other. “We love looking back at different eras of fashion and getting inspired! We love bouncing ideas off each other,” they say.

Their favorite pieces on sale now are the Smak Parlour embellished vintage tees (pictured in our “That’s So Raven” fashion editorial). These pieces “have our hearts at the moment,” Kessler and Loftus say. “They are all different and, well, just plan cool. Many are wide and boxy and look awesome with Many Belles Down fitted knit skirts.”

These are the very styles the Drexel-educated ladies created when they started their wholesale clothing line SMAK by Abby & Katie in the early 2000s.

Educated in design and merchandising at Drexel University and after a year in New York City working in the fashion industry, Philadelphia-area natives Kessler and Loftus decided to open their own boutique in which to sell SMAK by Abby & Katie.

They derived the name Smak Parlour from the name of their line, which they loved because it has many connotations and is “playful and fun,” and the sewing parlor where they created their pieces. “We were making ‘Smak’ in the ‘Parlour’ and so it became!” they recall.

Without any assets, the ladies financed their business with credit cards. This move, they say, “absolutely” scared them but “it was our only choice if we wanted our dream to come true.” And they handled it beautifully, paying off their debts in three years with manageable monthly payments.

For the first four years, they exclusively sold pieces from their own line. They have since expanded and added indie designers to the mix. Kessler and Loftus explain, “We buy what we want to wear when looking for new designers and hope other people will want it too!” 

Apparently they do, as it has been six years since these best friends opened Smak Parlour. “It’s absolutely a dream come true to work together,” Kessler and Loftus agree. 

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This piece appeared in the second issue of M.L.T.S. Magazine, a publication I started. The issue launched on September 5 and this piece appeared in the Most Stylish section.

Suggested Reading: Jennifer Rainville's Trance of Insignificance



Every now and then, a woman needs a good friend to smack her upside her head. Certainly, through much of Jennifer Rainville’s self-published novel Trance of Insignificance, readers will feel the urge to slap former TV reporter Jules Duvil around. She’s got everything she could want – a hot career in PR, a good husband – and yet she keeps getting tangled up in her ex-fiancĂ©, the handsome TV news anchor Jack Culligan. In fact, it isn’t really clear why she keeps coming back to him. He calls her “beautiful” and it makes the reader’s skin crawl; how could she be charmed by that most unimaginative of pet names? And how, Lord, how could she sleep with a married man? All the while, her girlfriends casually ask Jules questions about her extramarital affair. If ever a protagonist needed a good friend, it is Jules Duvil. 

Later in the novel, Jules’ mother-in-law Tess tells her that she has something Noah, Jules’ husband, will never have: a sense of self. What does Tess think gives Jules this sense of self? Her tough childhood in Boston, Massachusetts. One can see how trying to get away from your past might lead you to getting wrapped right up in it again, as Jules does repeatedly with fellow Massachusetts native Jack. 

Perhaps because of her questionable judgement, Jules comes off as incredibly real and her story is believeable. It is engaging and thought-provoking. How can we be so stupid when it comes to matters of love and lust? Why do we let our pasts best us, again and again? Can we break our bad habits and find happiness? 

The novel would benefit from a good proofread and occasionally the broadcast journalism technical jargon is distracting, but Rainville’s debut novel provides a captivating tale of a love that her protagonist just can’t seem to let go.